I was reminded of what my metal friends in high school always used to say: “Dude, heavy metal is like the closest thing there is to classical.” The audience cheered and stood and clapped their hands over their heads. I even saw some head banging when Dvořák asserted himself. After the slow movement, during which the orchestra’s playing made me feel as though I was being weightlessly suspended by Dvořák’s music, a question pierced the silence of the theater.Ī few people got up and left but, by and large, the audience appeared to enjoy Dvořák. What some of the audience wasn’t ready for was an hour-long piece of music. The audience was ready to hear the Native American and gospel spiritual tunes that Mehta had demonstrated for us. I can’t say enough about how infectious his speaking about music is. Nuvi Mehta, the voice of the symphony, came out and prepped us for Dvořák as only Nuvi Mehta can. Now, in order to hear Mustaine again, his fans were required to listen to about an hour of Dvořák’s Ninth Symphony: From the New World. Mustaine warned us that he would see us after intermission.Īh-ha. I liked it, the audience liked it, and the performers appeared to be enjoying themselves. The tempos were a bit slower than normal, but the electric guitar isn’t the same instrument as the violin when it comes to being nimble. Mustaine followed up Bach with Summer from Vivaldi’s Four Seasons.
I asked a few questions at intermission and found out that this distortion is in keeping with the tradition of how Mustaine plays the guitar. Every now and then his distortion got in the way of the music he was playing. The way in which Mustaine had set up his amps created a certain amount of distortion in the sound of his guitar. Conductor Ken David Masur welcomed both the orchestra and Mustaine factions of the audience and then the man walked out, plugged in, and started wailing on Bach, accompanied by the orchestra string sections. The concert began with the orchestra playing Berlioz’s Roman Carnival Overture. Well, they had some help from the heavy metal world. It finally happened! An audience at the symphony expressed their excitement for the start of a concert. The lights went down in the house and the audience cheered. The famous metal guitarist, who was an original member of Metallica and later founded his own band, Megadeth, was there to rock Vivaldi and Bach. Why were people drinking before intermission? Why is a young guy at the symphony wishing he was wearing a tuxedo? Why were an army of be-denimed 20- and 30-somethings there? Why was there so much hair in the audience? For the first time I can remember, less than half the men in the house were balding. I wanted to do that but no one else was with me.” However, as my equally elegant companion and I navigated the stairs, a younger guy turned to us and said, “Dude, nice tux. My standard symphony uniform would have been much more in line with the evening. On almost every occasion I wear jeans and a t-shirt to the symphony, but on this night - for God knows what reason - I wore my tuxedo. I was fully immersed in the fashion oblivion in which I travel through most of life. The line for drinks before the concert was long. I swear I heard men calling each other “dude” and “bro.” Sullen women in fantastic makeup haunted the lobby. The buzz before the April 12 concert was alien to those hallowed walls - at least in my experience. Saturday night at the Jacobs Music Center was about the most fun I’ve had at a symphony concert. You’ll be able to use these drum parts to create your backtracks, set up your workout sessions or try new things on your own songs.Place Jacobs Music Center/Copley Symphony Hall
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